Tony Marchant is one of Britain’s greatest TV scriptwriters (need convincing? - watch Holding On, BBC 1997) and the National Association of Probation Officers’s Harry Fletcher is one of the most media savvy probation professionals around, so what the hell went wrong with Public Enemies? It got off to a pretty good start in episode one and then threw it all away – fast-bowled it, in fact - for a formulaic and unconvincing "falling in love across class (and in this case professional) boundaries" storyline. Okay, so it didn’t get to a sexual relationship, but there were hard-to-miss tropes of Connie and Mellors and Cathy and Heathcliffe here. The English probation service has not been all that well served in movies and TV dramas – Hard Cases (ITV 1988) more or less nailed its “tough love” ethos, but crammed too much “action” into the lives of its officers - but it could absolutely have done without Public Enemies, given the turn it took.

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