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Anna Friel & Daniel Mays in 'Public Enemies'Tony Marchant is one of Britain’s greatest TV scriptwriters (need convincing? - watch Holding On, BBC 1997) and the National Association of Probation Officers’s Harry Fletcher is one of the most media savvy probation professionals around, so what the hell went wrong with Public Enemies? It got off to a pretty good start in episode one and then threw it all away – fast-bowled it, in fact - for a formulaic and unconvincing "falling in love across class (and in this case professional) boundaries" storyline. Okay, so it didn’t get to a sexual relationship, but there were hard-to-miss tropes of Connie and Mellors and Cathy and Heathcliffe here. The English probation service has not been all that well served in movies and TV dramas – Hard Cases (ITV 1988) more or less nailed its “tough love” ethos, but crammed too much “action” into the lives of its officers - but it could absolutely have done without Public Enemies, given the turn it took.

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Terrific tv drama shown on BBC Jan. 4th-6th 2012, starring Anna Friel and Daniel Mays. Daniel Mays is compelling as a murderer released on life licence after serving 10 years who is tightly regulated, monitored and harassed even by his probation officer, a young woman, played by Anna Friel, who is still shocked at the reaction to her last client killing on licence. Harry Fletcher, Asst. Gen. Sec. of NAPO was consulted on the script so it probably sums up the tensions between public protection and rehabilitation, in a context of ever-growing paperwork, which make today's probation work so much less rewarding no doubt than its previous incarnations. As in academia, the point of the exercise is being lost in a sea of public accountability, anally retentive paperwork and the conversion of the service into a punishment or form of regulation. See our Press Cutting on the realism of the script and the tweets, here and elsewhere, aound that time.

See also this comment on the programme by Staffordshire and West Midlands Probation Trust.

Feb 3rd: I should add that this was written before the dreadful turn in the narrative in the third and final part, following which I asked my old friend Mike Nellis, who has written some major stuff on probation, what he thought. See his review in this section.

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